Hi guys. Slowly trying to catch up with reviewing for my 52 books by 52 publishers reading challenge. Here’s number 4, and the publisher is:
Dodo Ink is an independent publishing company based in the UK. Founded by author Sam Mills (The Quiddity of Will Self, Corsair, 2012), digital publishing and marketing specialist Alex Spears, and reviewer Thom Cuell, Dodo Ink will publish original fiction, with a focus on risk-taking, imaginative novels. We are looking for books which don’t fall into easy marketing categories and don’t compromise their intelligence or style to fit in with trends. We are passionate readers, and we believe that there are many more who share our appetite for bold, original and ‘difficult’ fiction. We want to provide a home for great writing which isn’t being picked up by the mainstream.
Find out more about them here.
The book I’m reviewing is…
We were told that our mother’s life was terminated by killer bees while vacationing in San Marcos, Mexico with Dr Vargas at his family home.
After her mother dies in bizarre circumstances, heiress Eugenie Lund is abducted by Dr Vargas, a charismatic Svengali-like figure who educates her according to his own philosophy, an esoteric blend of anthropology and psychiatry. Isolated from outside influences, Eugenie’s life is spent on the run across North America and Europe, existing on the fringes of society, always trying to keep one step ahead of her past.
Taking in Mexico, Las Vegas, and the underground rave scene, Dodge and Burn is a psychedelic road trip recounted in beautifully crafted prose that pulses with frenetic energy.
Inspired by the likes of Carlos Castaneda and Hunter S Thompson, this is an exciting, iconoclastic debut novel from a remarkable new voice.
Well. Where do I start with this one? It is quite frankly nothing like I’ve ever, ever read before!
When it says ‘psychedelic’ in the blurb, they’re really not kidding. This story is all about one girl’s mission to find her missing sister and to make sense of the universe around her, and is written as a series of notebook/diary entries interspersed with the narrative and point of view of an outside character who is trying to track her down. Eugenie’s universe is quite different to many other people’s: she relies on heavy psychedelic drug use, Wiccan rituals, tribal practices, meditation and all manner of other things to make sense of her own world and access modes and forms of perception and existence that are completely alien to most of us. It leaves you wondering, quite often, what is real and what Eugenie is imagining or hallucinating. Often you’re left to decide that for yourself. For this reason the writing is lyrical, poetic, surreal, and quite ground-breaking. It is truly a reading ‘experience’ and quite unique.
This doesn’t mean it’s hard to read. On the contrary, I read in Seraphina’s essay on the writing of Dodge and Burn and she stated that she wanted Eugenie’s voice to sound “scholarly, yet popular in a generally even tone” and she’s achieved that perfectly. I did have to read a few passages a couple of times over, but that’s not because of the writing style, it’s because the concepts that were being described were so new to me that I had to try to understand them as much as I could in order to understand Eugenie. You get a real sense of who Eugenie is under the surface and you yearn for her missing sister along with her; you are endlessly curious about the world and alternative ways of living, just like she is. She pulls you into her bizarre reality along with her, and it’s a lot of fun.
I loved Ben, Eugenie’s husband. He is calm and collected most of the time, and only really aggressive if he perceives a threat towards Eugenie. You can feel the love between the couple radiate off the page. The way he doesn’t altogether understand Eugenie and what she talks about, but humours her and supports her and goes along with her rituals and things anyway, is truly adorable and lovely. He isn’t perfect and he has a fairly dark, criminal past, but Ben’s sole purpose before meeting Eugenie is to travel the world and take part in dance raves, and afterwards it seems to be protecting Eugenie to the best of his ability. And I like him for that. He is not averse to violence but doesn’t indulge in it for the sake of things.
Dr Vargas, Eugenie and her sister’s captor, reminded me a little bit of Count Olaf from a Series of Unfortunate Events. I guess this is probably an annoying comment for the author to read as obviously Count Olaf has never had any bearing or influence on this character, and in fact Seraphina’s own stepfather was the influence there. But just to give you an idea of what it’s like if you haven’t read the book, the circumstances are similar in that he makes the children’s lives miserable by kidnapping them and exercising his sheer dominance and power over them in an almost magical way to keep them under his thumb for years and years. He is dangerous and evil and conniving and greedy and, quite unlike Count Olaf, he should be taken very seriously indeed. He really is quite an unpleasant character.
The mystery of Eugenie’s sister Camille and where she’s disappeared to is truly fascinating. The ending of the book just utterly took my breath away; I did not for one second expect it to happen and yet it makes so much sense. Then, of course, you have to decide if you believe the twist to be real. I personally do believe it, but that’s up for you to figure out for yourself. I’d love to hear your interpretations of this book.
Books like these are the reason I love indie publishing companies: Penguin Random House or Hachette probably wouldn’t have looked at this twice and that is a massive, massive loss for them. Read it! Four big shiny stars from me.